variations ii造句
例句與造句
- Variations II to VI are what Girdlestone and Hutchings separately describe as " double " variations.
- Variation II features an early example of " fan-shaped phrases ", a device Dutilleux would use frequently in his later works.
- Variation II returns to 2 / 4, and is a spry, rhythmic rendition of the theme in the viola over an accompaniment of staccato thirds and sixths.
- When variation I completes at the end of measure 16, variation II begins the " a " phrase in the original version, except at an octave above.
- Notably, he uses the marking " Zungenschlag " ( tongue-beat ) in this passage from Variation II . Elsewhere in the score, he used the traditional German " Flatterzunge ".
- It's difficult to find variations ii in a sentence. 用variations ii造句挺難的
- Tudor also performs on several recordings of Cage's music, including the Mainstream record of " Cartridge Music ", the recording on Columbia Records of " Variations II ", and the two Everest records of " Variations IV ".
- A new work for two flutists and orchestra by the prolific William Thomas McKinley is playfully titled " Goldberg Variations II " _ a joint homage to one of the soloists, the esteemed Bernard Goldberg, and to Bach's masterpiece of the same title, which is quoted toward the end.
- He gave the first performances of " Music of Changes " ( 1952 ), " 4'33 " " ( 1952 ) and the Concert for Piano and Orchestra ( 1958 ), and collaborated with Cage on several works, including " Indeterminacy " ( 1959 ), " Cartridge Music " ( 1960 ), Variations II ( 1961 ) and Variations III ( 1963 ).
- Simpson's variations I, II and III on Haydn's theme are all taken from a set in an earlier work from 1948, " Variations on a Theme of Haydn ", for solo piano . "'Variation I "'is at the same tempo as the theme, generally lyrical and in character with occasional chromatic swells to disturb the generally sunny atmosphere . "'Variation II "'is marked Meno mosso, poco espress . and is relaxed, the dynamic level pp throughout as the music flows lyrically through gentle counterpoint . "'Variation III "'strongly contrasts with the previous variation, each of the string instruments playing short, bouncy fragments that alternate between arco and pizzicato.